书画，视觉审美之艺术，中国传统文化之精粹。凡聪明之士，才学之人，无不徜徉其间，摘其英华，佩其香萝。故其书画之妙，深不可测；能人辈出，指不胜屈；流派纷呈，美不胜收。一笔一纸一镜头，可演乾坤之大，可绎人心之微，包罗万象，博大精深，一个时代有一个时代的文艺，一个时代有一个时代的精神。推动文艺创新发展，最根本的是要创作出无愧我们这个伟大民族 、伟大时代的优秀作品 。真正的书画家既是优秀文化的继承者，又是发扬者、开拓者！今天我们以书法之美，展现我国著名国礼特供艺术家郑景元老师的创新作品！
Tiegu Danxin Fuhua Painted Pen and Ink Writing Skills
Calligraphy and painting, the art of visual aesthetics, the essence of Chinese traditional culture. Every wise man and scholar wanders in the meantime, picking up his brilliance and wearing his perfume. Therefore, its painting and calligraphy are wonderful and unpredictable; there are many talented people who can not be surrendered; there are many schools and beautiful. A piece of paper and a lens can play the great of the universe, the tiny of the human heart, all inclusive and profound. One era has one era of literature and art, and one era has one era of spirit. To promote the innovation and development of literature and art, the most fundamental thing is to create excellent works worthy of our great nation and era. Real painters and calligraphers are not only inheritors of excellent culture, but also carriers and pioneers! Today, with the beauty of calligraphy, we present the innovative works of our famous national ritual artist, Mr. Zheng Jingyuan.
Zheng Jingyuan (formerly known as Zheng Junhua) is named Xuanling Mountain Man, Chinese Mountain Man and Taoist Name: Zheng Xingguo. Born in 1965 in Zheng District, Hanzhong, Shaanxi Province. Famous Chinese nationalist, Yi scholar and calligrapher. First-class Calligrapher of the State; Member of Calligrapher Association of Central Government Organs; Honorary Chairman of China Tianzhong Calligraphy and Painting Art Research Association; Member of New Literature and Art Group of Chinese Calligrapher and Painter Association; Executive Director of Shaanxi Zhouyi Research Association; President of the Research Institute of Yi of Zheng's Futang of China; President of the Research Institute of Zhouyi of Zheng's Futang of Shaanxi Province; Vice-President of Shaanxi Branch of China International Zhouyi Federation; Vice-President of China International Yixue Federation; Member of the 10th CPPCC Committee of Nanzheng District, Hanzhong City, Shaanxi Province; Consultant of the Association of Folk Literators and Artists of Nanzheng District, Hanzhong City, Shaanxi Province; Vice-President of the World Outstanding Patriotic Chinese Business Federation; Senior Research of the Chinese Academy of Management Sciences Member, academic member; China International Reportage Research Association; Expert Committee of Chinese Culture Heritage Committee; director of Zhouyi Culture Research Institute of Shaanxi Road Cultural Industry Research Institute; general consultant of Shaanxi new strength Film Co., Ltd. Mr. Zheng Jingyuan has been adhering to his family precepts since his childhood, reciting the essence of Zhouyi's philosophy knowledge and practical Yixue culture. Under the guidance of his parents, Zheng Jingyuan gradually developed a strong interest in various kinds of mathematical techniques of Yi Li. Zheng Jingyuan University has been exploring and practicing in the field of Yi-ology culture since graduation in order to inherit the family's study of Yi-ology in China's "Zheng's Futang".
Zheng Jingyuan grew up in a typical rural family with Chinese traditional culture and high-speed social development but economic poverty coexisting. In the era of great social change and transformation, difficult conditions are the severe challenges faced by every family. Zheng Jingyuan's father followed the Confucian and Mencius way, and his modest and elegant style was heard and heard. The young Zheng Jingyuan was deeply influenced. Although he suffered from hunger and even suffered from various life challenges, he did not lose his direction because of suffering in such a traditional family's teaching. On the contrary, all his unforgettable experiences were the driving force and the determination of his inspiration and success. Heart. In the grinding of life, hunger and thirst for traditional culture made him forget the short-term misery of life. He went deep into studying excellent traditional culture, immersed himself in extensive and profound fine art, forgetting to eat and sleep, sometimes studying the little doubts encountered in art clearly, worrying, anxious, even sleepless at night, until the dark willow blossoms. In Ming Dynasty, the genes of traditional culture naturally flowed in the blood. Furthermore, Zheng Jingyuan's artistic atmosphere made people who had dealt with him feel natural and friendly. His cultural literacy and exquisite art research always made people memorize endlessly.
Today, Zheng Jingyuan's various honors are endless, brilliant, social praise lingering around the beam, never ceasing to hear, the society is courageous to struggle and hard experience, he is undoubtedly successful, in front of Zheng Jingyuan's many praises and honors, the author no longer dwells on it, as a witness to Zheng Jingyuan's artistic development process for many years. The author thinks that in Zheng Jingyuan's artistic world, his calligraphy art must be a special focus worthy of study and attention, even as a topic for in-depth discussion. When Zheng Jingyuan was a child, he studied traditional culture systematically. Calligraphy, as a typical representative of the best traditional culture, must also be an important object of his study. As a result of his nature, Zheng Jingyuan, like the famous contemporary calligraphers, was fascinated with writing and student time in that hard age. All the blank places of books will be closely written, leaving no space. This love of writing "the first heart", like a seed, firmly rooted in Zheng Jingyuan's heart, which is also the most primitive motive force for him to study and explore calligraphy art. After he established his family, he adhered to the depth of traditional culture. Family obsession, incomprehension, support or even opposition can not make Zheng Jingyuan give up the study of calligraphy, even a little slack feel depressed. Difficulties are like springs, if you are weak, he will be strong. Zheng Jingyuan, who has been honed in hard years, can easily resolve various contradictions in solving the problem of pressure. For example, he can turn pressure into power. On the way of calligraphy exploration, he can sleep only 2-3 hours a day, even he can take this rest which is unimaginable to ordinary people. Rest state as a habit, until today, he still maintained this daily sleep of only 2-3 hours of life, which has become a kind of ability beyond ordinary people or an energy for the pursuit of art, decades like a day, alternating cold and summer, spring, summer, autumn and winter, diligently striving for, writing and plowing. "God" is on the top of his head, the bottom line is at his feet, Qiu Qian is in his chest, Qian Kun is in his pen, and he has studied calligraphy for many years. As soon as Zheng Jingyuan enters his studio, he feels satisfied and enjoys it. The changes of pen, ink, composition and layout in creation, the combination of traditional and modern calligraphy, note-taking, experience-writing and feeling-remembering are solved by copying and copying. The art of calligraphy, like shadow-following, sometimes gets dazed at meals. Zheng Jingyuan is infatuated with it. His appearance today is also in the public's sense. Zheng Jingyuan explored the elegance beyond the rigorous rules in Tang Dynasty regular scripts, and sought the rules from Zhang Xu and Huaishu's fanaticism. He realized the combination of the two kings in their beauty and elegance. He gathered the merits of calligraphy from past dynasties and melted the words of a family, and explored his own way of success. He tried to study the ancients as deeply as possible, but he also tried to learn the ancients as deeply as possible. He strives to get rid of the predecessor's stereotype. He pursues the balance between tradition and modern people in his innovation and becomes his own style. He can go deep into truth, grass, seal, Li and Xing, but he is better at the writing of cursive script. He integrates the charm of Wei and Jin Dynasty, the law of Tang Dynasty, the artistic conception of Song Dynasty and the situation of Yuan, Ming and Qing Dynasty into his own appearance. To give full play to his natural talent and feelings, he focused on inheriting the excellent writing skills and changes of the ancients to the end of the pen, from practicing traditional calligraphy to the excessive beauty of his own pen, so that the public can never forget. Throughout Zheng Jingyuan's cursive script, the lines are strong and powerful, and the layout of the rules and regulations is regular and changeable. The style is rigorous and magnificent; the brush and ink are fluent, dry and wet, flexible and natural. He is good at diagonal indulgence, tightening and externalizing. He is dangerous in the middle, can accept dangerous in the middle. His structure is rigorous and full of changes. It fully shows the visual tension and brings the audience the artistic imagination space of "sneaking into the night with the wind, moistening things silently".
The artistic feeling brought by traditional culture to the masses must not be dogmatic or rigid inculcation. It is a kind of subtle and quiet enjoyment. The populace's liking for brush words is melted in the blood and is also an indispensable important tool in society. With the rapid development of social economy, the populace is from poor to white. Free from life, high-level spiritual enjoyment is imminent, just stay in the sensory stimulation star, entertainment supremacy has been disgusted by the public, calligraphy and other traditional arts into the ordinary people has been in reason, calligraphy is not only the art of literati cherish each other, it is more than 2000 years of Chinese culture. Blood gene is also the spiritual needs of the public. As long as we still use Chinese characters, calligraphy is around us. This kind of aesthetic blood can not be cut off. It is the most simple and direct way to stimulate cultural self-confidence to let the art of calligraphy return to common sense and penetrate into the hearts of the people. Therefore, Zheng Jingyuan is willing to work with contemporary calligraphy. Celebrities, like others, inspire others, influence the public, and let the art of calligraphy benefit the life of modern people with the spirit of lifelong pursuit and traceability. In order to study and apply the culture of Yi-ology well, and at the same time to be outstanding in the industry. Mr. Zheng Jingyuan attended Shao Weihua's workshops many times in the 1990s. After that, he was guided by more than a dozen teachers'biographies and folk predecessors. Through his own efforts and more than 40 years of practice, he was diligent and eager to learn and read well. Kungfu bears no burden. Zheng Jingyuan's perseverance and diligence have been highly recognized by many experts and society in the field of Yi learning. Zheng Jingyuan was taught secretly by his ancestors when he was young. He was also familiar with the famous works of geomantic omen, and deeply understood the essence of the combination of theory and practice of geomantic omen. In addition to his work, he climbed mountains and waded through rivers, learned to combine the three principles, looked at the image of mountains and rivers, used the past for the present, paid attention to actual combat, Fengshui for the people, and planted blessings for the people. Therefore, the fine ventilation water layout, in many enterprises, real estate, office buildings, social celebrities'home and housing, due to the accuracy of public opinion, integrity and virtue, won the unanimous praise of the customers. From doubts at the beginning of Feng Shui learning to being among the well-known masters in contemporary China, Mr. Zheng Jingyuan has suffered a lot of frustrations, tests and difficulties. Finally, he has opened up a magnificent avenue for public opinion. He has been recognized by the public and the Yi academic circles as the beautiful reputation of Liao Zhongzheng in the north of Nanshao. China Professional Talents Certificate has been issued and listed in China Professional Talents Bank. Professor Zheng Jingyuan not only has a deep research on the culture of Yi Xue, but also loves calligraphy. His calligraphy works are loved and collected by people from all walks of life. Especially after he participated in the special program of "intangible cultural heritage" of Xi'an Radio and TV Station, his calligraphy works are loved and sought after by people.
Professor Zheng Jingyuan's deeds and successful cases have attracted great attention from government agencies and professional departments, and won many awards and honors successively: in 2010, he was awarded the honorary title of "China Yitan Forecast, Fengshui, Naming, Senior Expert" by the Chinese Yijing Association; in 2011, he was awarded the honorary title of "China Yitan Forecast, Fengshui, Naming, Senior Expert"; in 2011, he was awarded by“ China's Top Ten Naming Experts, China's Top Ten Forecasting and Geomantic Experts and "China's Outstanding Philosopher"; China's "Zheng's Futang" was awarded "China's Top Ten Geomantic Planning Organizations".
Invited by the Association of Celebrities of the Chinese Age in April 2014, Mr. Zheng Jingyuan attended the Forum on Integrating Resources and Wealth of Chinese Industry Elite Networks. At this meeting, Mr. Zheng Jingyuan was awarded the Award of Academic Authority of Chinese Excellent Names. At the same time, he accepted the invitation of "China Networks" and visited the column group "Focus on China Dream" to transmit positive energy for the Chinese Dream.
Mr. Zheng Jingyuan's deeds have been included in The Famous Masters of Chinese Yi Xue and the Glorious Century. The large-scale document "China Power" published by China Science and Culture Publishing House has also been included in the literature "Seeking the Pioneer of Reality".
In 2015, it was also included in the book "National Labor Model and Advanced Persons" and large-scale literature "Gong Feng Cailu of Contemporary Outstanding Persons" and "Leading China's Time Pride" and other documents. It is also included in the large literature "Innovation of China - Innovation and Dream of Contemporary Leaders of Chinese Studies". Professor Zheng Jingyuan was also named "the advanced individual of patriotism in China" and was gloriously included in the large-scale national literature "The Patriotic National Code of China" and other documents. In 2016, the cover characters of the large-scale document "China's Leading Persons" were published to publicize the positive energy of traditional Chinese literature and culture. In 2018, as a prominent representative of Zhouyi industry, he entered the database of influential figures in China.
On May 18, 2018, Mr. Zheng Jingyuan, a well-known Chinese nationalist, Yi scholar and calligrapher, was invited to Beijing to attend the 18th Summary and Recognition Conference of China's Great Style and the Annual Person Award Ceremony of CCTV. He was awarded the "Person of Chinese Contemporary Yi Learning Style" award by the organizing committee. His personal deeds and calligraphy works were interviewed live by CCTV. Some of the calligraphy works were collected by CCTV and the Organizing Committee of the conference, and they were loved by the delegates. At the same time, on May 28, 2018, they were invited to the New Age China Economic Development Forum and the 10th National Annual Meeting of Excellent Entrepreneurs. Mr. Zheng Jingyuan was awarded the "New Age China Easy" by the organizing Committee of the conference. The award of the influential person of learning and innovation.
Facing many honors and glories, Professor Zheng Jingyuan was not complacent. He said, "All these are the motivation to encourage him to grow up." The Institute of Yi Studies of Zheng's Futang in China is to send happiness and love to millions of families, to serve the society, to serve more enterprises and to achieve social harmony with the knowledge and wisdom of Yi. Envoys. While inheriting the culture of traditional Chinese culture, he is also doing a lot of charitable and charitable activities to help those vulnerable groups who need help. Mr. Zheng Yuan is such a seemingly ordinary but respectable inheritor of Yixue and a devotee of social love. He is like a candle burning himself to illuminate others! The character and demeanor of the Chinese nation are examples that we should learn from.